The title L’esquive refers to the way of surreptitiously escaping from a situation or a place, of slipping into the interstices, of disappearing and perhaps reappearing elsewhere. It is a question of going to see the other side of the walls, whether they are material or mental, perhaps both at the same time, to glimpse other worlds, other imaginary landscapes. The performance is a conversation between Dominique Pifarély on the violin and his electroacoustic device, extending the initial sound material of the musical composition. The installation seeks to blend into the garden’s setting, into its memory, to colour it in a certain way through sound. The compositional work begins with the creation of a sound palette, followed by the creation of dynamic temporal and spatial behaviours of the musical forms resulting from this palette. Small, invisible sound sources are integrated into the vegetation and furniture of the garden: on the ground, the sound moves according to the shapes of the plantations, volutes, squares, etc. On the ground, the sound moves according to the shapes of the plantations, volutes, squares, etc. In the bushes, at mid-height, the sound delimits a listening territory. In the trees, the sound projected towards the ground builds a kind of canopy…